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Remade Right: Disney’s Tarzan

Tarzan is considered metformin 1000 mg pcos the last film of the Disney Renaissance. The house that Walt built had a good run from 1988 to 1999, starting with that movie about that little mermaid (I believe it was called “Escapades of a Sea Ginger”) and ending with well, Tarzan. It is considered to be the end of the Renaissance because once you make a film with a Phil Collins soundtrack, there’s nowhere to go but down. Disney knew they ought to go out on top, so they did.

The Pixar metformin hcl 500mg metformin hcl weight loss Renaissance is planned to end with Cars 3, featuring vocals by Michael Bolton, in 2012. To build on their success, Disney next plans to usher in a new era of cinematic glory by remaking all of the traditionally-animated Renaissance films except Pocahontas, because boys don’t like it. Starting with Tarzan, they will be remade in reverse order as gritty, live-action fare spiced up to illustrate examples of social and economic injustice at various points of the 20th Century. A common factor amongst the Disney renaissance films is that they are all based in some shape or form on a book. Tarzan is based on a novel by Edgar Rice Burroughs known in most circles as “The Jungle on the Planet of the Apes”. Assuming literary inspiration is the reason for their initial success in the animated realm, all of the remakes will be modified to also include influential non-fiction works such as The Autobiography of Malcolm X and My Life, by Bill Clinton.

In 1906 legendary author Upton Sinclair wrote a book called The Jungle. It was a detailed examination of the corruption and poor working conditions in the American meatpacking industry in the early part of the century. Tarzan: The Live-Action 3D Experience (T:TLA3DE) will draw heavily on The Jungle to establish a new direction for the remake. Situating the film in this environment as described by Sinclair allows greater emphasis on dynamic violence and social upheaval than would be possible in a regular jungle. The meat factories depicted in the book were unsanitary and workers were underpaid and overworked. Factory managers had little-to-no regard for their employees’ safety and Sinclair wrote about meatpackers falling into giant food processing tanks only to be ground up with animal parts for eventual consumption. THIS is where our new Tarzan will be set.

The Tarzan you knew is to be overhauled in a big way, but one thing that will not be changing is the scintillating music of Phil Collins. When Phil said, “come with me now to see my world, where there’s beauty beyond your dreams, can you feel the things I feel right now, with you, take my hand, there’s a world I need to know,” we can be pretty certain he was talking about the world of meatpacking in the early 1900’s. Rather than stressing that this is a new Tarzan movie, T:TLA3DE will exist primarily as a promotional vehicle for Mr. Collins. The rationale behind this is actually quite simple: When Tarzan was released in 1999, sales of the soundtrack reached record levels for the Walt Disney Company, and the first single, You’ll Be in My Heart, reached the vaunted #1 position on the Billboard Hot 100. Mr. Collins also once said to, “put your faith in what you most believe in,” and what we believe in, Phil, is you.

Simply using Mr. Collins’ bankable box office and chart-topping stardom in a musical capacity alone would not be properly maximizing his value as an asset, so he will be incorporated in every possible capacity at all levels of production. Mr. Collins cannot be expected to do everything by himself (although he certainly could if he really wanted to), so Disney will still employ a director and all the usual personnel to carry out filming. No director has yet been confirmed, but we do know that Phil will have authority to order reshoots or alter the plot in any measure he deems appropriate if he feels he is not being properly utilized.

What this also means is that Mr. Collins will be taking on his first major role as an actor. That’s right – Phil will actually PLAY Tarzan. His non-resemblance to the classical likeness of the character will not be an issue, as a long-haired, physically-fit and un-groomed Tarzan would appear out of place in turn-of-the-century industrial America. Considering that he is traditionally presented as a wild ape-man, Tarzan’s lack of facial hair is the most glaring plot hole in previous adaptations. There will now be no need to ignore or explain this inconsistency and the film’s integrity can be preserved. To keep costs low and Mr. Collins’ paycheck high, most actors will be asked to perform two roles for the pay of 1 ½. Since he is nearly bald with a severely receding hairline, Phil can also play the baby Tarzan. He will not be subject to the same paycheck reductions.

Tarzan’s story will begin with his parents working at a large meatpacking warehouse in the Chicago stockyards in the 1890’s. They cannot afford a sitter to watch their newborn son due to the low wages, so they are forced to bring him to the workplace despite the dangerous and unsanitary conditions. His mother carries him around in a pouch strapped to her stomach and shields his virgin eyes with a pair of sunglasses so he doesn’t have to witness the filth and corruption around him. The baby’s birth name is Carlos. One day the baby’s father falls victim to a glaring safety hazard and tumbles into a giant food processing vat and is ground up with thousands of gallons of liquefied meat byproduct. His wife is unable to fathom life without her husband, so she sets down baby Carlos and hurls herself into the vat as well. A troop of soiled, hairy, factory workers find the baby and decide to raise him as their own (if you didn’t catch on, this is supposed to be a thinly-veiled allusion to gorillas). They don’t know his name, so they settle on the first thing that comes to mind: TARZAN… And a legend is born.

Young Tarzan spends his life growing up in the confines of the meatpacking plant and he is never exposed to the outside world. He learns to fend for himself like an animal and scrounges up any morsel of unprocessed red meat he can find for food. Tarzan also picks up a primitive lingo of grunts, groans, and random expletives from the workers, which he uses to communicate in a manner that cannot be understood by civilized man. He even fashions himself a basic garment out of leftover cowhide.

Twenty years later, the meatpacking factory is bought out and the new ownership wants to initiate changes to keep up with new government regulations and return it to profitability. The owner (Rick Springfield) and his daughter, Jane (Barbara Streisand), tour the factory and discover the untamed Tarzan living within. Tarzan is taken aback and timid around them, being that they are the first clean white people he has ever encountered. While the factory is being renovated, Jane takes a special interest in getting to know Tarzan and attempts to teach him the proper etiquette of America’s upper class. Jane always has armed guards accompany her because Tarzan struggles with being acclimated to the outside world and constantly tries to have animalistic sex with her (one of Mr. Collins’ script alterations).

In the end, Jane’s efforts are successful and Tarzan matures into a productive member of society. He later goes on to have a flourishing music career and becomes the lead singer for a band named “Genesis.”

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